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Rulers help you accurately place and measure objects in the illustration window or in an artboard. The point where 0 appears on each ruler is called the ruler origin. Illustrator provides separate rulers for documents and artboards. You can select only one of these rulers at a time.

Global rulers appear at the top and left sides of the illustration window. The default ruler origin is located at the top-left corner of the illustration window. Artboard rulers appear at the top and left sides of the active artboard. The default artboard ruler origin is located at the top-left corner of the artboard. The difference between artboard rulers and global rulers is that if you select artboard rulers, the origin point changes based on the active artboard.

In addition, you can have different origin points for artboard rulers. Now, if you change the artboard ruler origin, the pattern fills in objects on the artboards are not affected.

The default origin point for the global ruler is at the upper-left corner of the first artboard and the default origin for the artboard rulers is at the top left corner of the respective artboard.

Artboard rulers appear by default, so the Change to Global Rulers option appears in the Rulers sub-menu. To change the ruler origin, move the pointer to the upper-left corner where the rulers intersect, and drag the pointer to where you want the new ruler origin. As you drag, a cross hair in the window and in the rulers indicates the changing global ruler origin. To restore the default ruler origin, double-click the upper-left corner where the rulers intersect.

The coordinate system has now been switched to fourth quadrant, which was previously the first quadrant. In Illustrator CS5, when you move downwards, the value of y-axis increases and if you move toward right, the value of x-axis increases.

For saving to legacy versions of Illustrator, the Global rulers remain at the position set in legacy document. Although, the origin point does not move to upper left, the coordinate system changes to fourth quadrant.

The change in coordinate system and the ruler origin does not apply to scripting, which allows you to retain old scripts. However, when you transform objects using scripting, the Y coordinate values differ from the values that you set in the Illustrator user interface.

The default unit of measurement in Illustrator is points a point equals. You can change the unit that Illustrator uses for general measurements, strokes, and type. You can override the default unit while entering values in boxes.

Note : The General measurement option affects rulers, measuring the distance between points, moving and transforming objects, setting grid and guides spacing, and creating shapes. Tip : When mixing picas and points, you can enter values as XpY, where X and Y are the number of picas and points for example, 12p6 for 12 picas, 6 points.

Guides help you align text and graphic objects. You can create ruler guides straight vertical or horizontal lines and guide objects vector objects that you convert to guides. Like the grid, guides do not print. You can choose between two guide styles—dots and lines—and you can change the color of guides by using either predefined guide colors or colors you select using a color picker.

By default, guides are unlocked so that you can move, modify, delete, or revert them, but you can choose to lock them into place. To restrict the guides to an artboard instead of the entire canvas, select the Artboard tool and drag the guides on to the artboard. When snapping to a point, the snapping alignment depends on the position of the pointer, not the edges of the dragged object. When the pointer comes within 2 pixels of an anchor point or guide, it snaps to the point.

When a snap occurs, the pointer changes from a filled arrowhead to a hollow arrowhead. They help you align, edit, and transform objects or artboards relative to other objects, artboards, or both by snap-aligning and displaying X, Y location, and delta values.

You can specify the type of smart guides and feedback that appear such as measurement labels, object highlighting, or labels by setting the Smart Guides preferences. When you create an object with the pen or shape tools, use the Smart Guides to position a new object’s anchor points relative to an existing object. Or, when you create a new artboard, use Smart Guides to position it relative to another artboard or an object. Specify these angles in the Smart Guides preferences.

When you move an object or artboard, use the Smart Guides to align the selected object or artboard to other objects or artboards. The alignment is based on the geometry of objects and artboards. Guides appear as the object approaches the edge or center point of other objects. You can change when and how Smart Guides appear by setting Smart Guides preferences.

Alignment Guides. Displays guide lines that are generated along the center and edges of geometric objects, artboard, and bleeds. They are generated when you move objects and when you perform operations such as drawing basic shapes, using the Pen tool, and transforming objects. Measurement Labels. Displays information for many tools such as Drawing tools and Text tools about the position of the cursor as you position the cursor over an anchor point.

When you press Shift with a drawing tool selected, the starting location appears. Object Highlighting. Highlights the object below the pointer as you drag around it. Transform Tools. Construction Guides. Displays guidelines as you draw new objects. You specify the angles at which you want guidelines drawn from the anchor points of a nearby object. You can set up to six angles. The preview reflects your settings. Snapping Tolerance. Specifies the number of points the pointer must be from another object for Smart Guides to take effect.

Use the Measure tool to calculate the distance between any two points and display the results in the Info panel. Select the Measure tool. Select and hold the Eyedropper tool to see it in the Tools panel. Click the first point and drag to the second point. The Info panel displays the horizontal and vertical distances from the x and y axes, the absolute horizontal and vertical distances, the total distances, and the angle measured. The values for width and height are affected by the Use Preview Bounds option in the General preferences.

When you use the Pen tool or Gradient tool, or when you move a selection, the Info panel displays the change in x W , the change in y H , the distance D , and the angle as you drag.

When you use the Zoom tool, the Info panel displays the magnification factor and the x and y coordinates after you release the mouse button. When you use the Scale tool, the Info panel displays the percentage change in width W and height H and the new width W and height H after the scaling is complete. When you use the Paintbrush tool, the Info panel displays the x and y coordinates and the name of the current brush.

Select Show Options from the panel menu or click the double arrow on the panel tab to display values for the fill and stroke colors of the selected object and the name of any pattern, gradient, or tint applied to the selected object. Note : If you select multiple objects, the Info panel displays only the information that is the same for all selected objects. Legal Notices Online Privacy Policy. Adobe Illustrator Features What’s New. Buy now. User Guide Cancel. Use rulers. Note : Changing the global ruler origin affects the tiling of patterns.

Change the unit of measurement. If Show Asian Options is selected in the Type preferences, you can also select a unit specifically for Asian type. To change the unit of measurement when entering a value in a box, follow the value by any of the following abbreviations: inch, inches, in, millimeters, millimetres, mm, Qs one Q equals 0.

Use the grid. The grid appears behind your artwork in the illustration window. It does not print. Use guides. Create guides. Position the pointer on the left ruler for a vertical guide or on the top ruler for a horizontal guide. Drag the guide into position. To make working with multiple guides easier, move them into a separate layer. Move, delete, or release guides. Do any of the following:. To move the guide, drag it or copy it.

Snap objects to anchor points and guides. Select the object you want to move, and position the pointer on the exact point you want to align with anchor points and guides. Drag the object to the desired location.

Use Smart Guides. Smart Guides are on by default. Use Smart Guides in the following ways:.

 
 

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Drag brush to New Brush button. Character and Paragraph panels. Open the Character panel. Open the Paragraph panel. Up Arrow or Down Arrow. Highlight the font name field in the Character panel. Color panel. Ctrl-click color bar. Command-click color bar. Alt-click color bar. Option-click color bar. Open Color Guide.

Change the color mode. Shift-click color bar. Move color sliders in tandem. Shift-drag color slider. Switch between percentage and values for RGB. Double-click to right of a numerical field. Gradient panel. Duplicate color stops. Swap color stops. Alt-drag color stop onto another stop. Option-drag color stop onto another color stop. Apply swatch color to active or selected color stop.

Alt-click swatch in the Swatches panel. Option-click swatch in the Swatches panel. Reset the gradient fill to default black and white linear gradient. Ctrl-click Gradient Fill box in the Gradient panel. Command-click Gradient Fill box in the Gradient panel. Modify angle and end-point together. Alt-drag end point of gradient annotator. Option-drag end point of gradient annotator. Constrain Gradient tool or Gradient annotator while dragging. View Gradient annotator in selected gradient filled object.

Layers panel. Swatches panel. Create new spot color. Ctrl-click New Swatch button. Command-click New Swatch button. Create new global process color. Replace swatch with another. Alt-drag a swatch over another.

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You will also learn some of Adobe s collaborative functions,. The installation and uninstallation frustrations aren’t deal-breakers, obviously, but a little bit more attention here from Photoshop would result in a smoother process.

Interface Unlike the dramatic interface overhaul that accompanied its predecessor, there’s so little new to the look and feel of Photoshop CS5 that it’s barely worth mentioning. The Workspace switcher has been modified so that you can drag it out of the drop-down menu across the menubar.

Doing so can push the menubar itself down to a second level, which might take up too much screen space for some people. Pre-existing workspaces can be deleted, custom ones added, and generally the workspace concept has gotten a bit more user-friendly. Toolbox icons have been redrawn with a softer touch. This has the unfortunate effect of making them look mushy and out-of-focus against their gray background. At least the iconography is the same, so the spot healing brush tool still looks like a band-aid, but this was not a welcome change.

Despite lacking the aesthetic sensibility of its cousin Lightroom 3 Windows Mac , the overall layout of Photoshop remains consistent. It’s not easy to use, nor is it hard to get used to the modular layout of adjustable panels. Further optional improvements can be made courtesy Adobe Labs’ Configurator , for customizing some parts of the navigation.

Although the CS4 interface improvements were appreciated, the UI is essentially mundane and in desperate need of refinement. It’s sadly ironic that the premiere image editor looks like a cockpit. Features and support The new features in Photoshop CS5 completely sell the program. It’s a bit hard to fathom that a program that’s been around for 20 years continues to innovate and improve as much as Photoshop has, but this version of Photoshop, officially v12, doesn’t just stretch itself here. It expands the limits of editing achievement, simplifying previously complex tasks and introducing new ones.

It’s not reinventing the wrench as much as it’s making it do new things that everybody can immediately understand. This review won’t cover all the new features and enhancements since there are more than three dozen feature changes alone, but we’ll look at some of the best and most important.

The new Mini Bridge should directly affect every user’s workflow. It opens a functional version of Adobe Bridge in a panel, speeding up processing by cutting down how often users have to jump out of the main Photoshop interface. Mini Bridge can be launched from the top of the interface to the right of the menubar, from the MB icon.

As with any of Photoshop’s panels, the Mini Bridge can be resized and moved around the window as needed. On first launch, the Mini Bridge took longer than expected to read files before it could be used.

After that initial sluggishness, it loaded smoothly, even after rebooting the computer. It was noticeably faster to launch images from either Bridge or Mini Bridge into Photoshop compared with the previous version, but sticking Bridge access directly into Photoshop is a long-overdue innovation. Automatic Lens Correction automates a task that previously could be completed by hand only. As CNET has noted elsewhere , Adobe based the tool on close measurements of multiple camera bodies and lenses so that Photoshop can take over the time-consuming effort of removing barrel and pincushion distortion, darkened corners from vignetting, and colored fringe on the edge of images from chromatic aberration.

You can tell that Adobe expects this feature to be a big selling point because it’s one of the few new features that comes bound to a hot key.

You can toggle on or off vignetting, chromatic aberration, and lens distortion correction, which are the three major fixes that the filter looks for; adjust how the filter affects the edge of the image; edit camera and lens profile search criteria; or create custom profiles.

The camera profiles seemed to be limited in our testing to more-recent models. For example, the tool lacked profiles for Canon bodies older than the 50D. A new feature in the Merge to HDR panel called Remove Ghost will tidy up any minor alignment issues between your three HDR source images, and you can select which of the three images to base the final image on.

This works fairly decently, but expect best results on images that have tricky lighting situations or are underexposed. Content Aware Fill improves Photoshop’s ability to intelligently replace part of an image with pixels derived from other, nearby colors, noise, and tone.

The feature can be used as part of the spot healing brush tool for fine replacements, or lassoed selections to replace large or unusually shaped chunks from an image.

The feature introduces a redone method of resampling from the image. The differences between how the tool performs here versus in CS4 are not readily apparent since the changes in pixelation and accuracy depend too greatly on the situation.

Tests with the spot healing brush revealed no differences to its CS4 predecessor, but that doesn’t mean its not working. In general, it felt like there was less of a problem with incorrect sampling, but this wasn’t really quantifiable, as it still occurred in some cases. One of the most difficult Photoshop tricks has just gotten strikingly easier thanks to what Adobe calls ” intelligent selection. It worked extremely well with hair, and slightly less so with the more discernible echidna spikes.

It sounds simple, but the introduction of the Smart Radius and Decontaminate colors functions in intelligent selection provides a stunning breadth of control during image masking. Following the tutorials for this is essential, because learning to do it right can impressively enhance your image control while cutting down on your workflow from CS4. When you create an object with the pen or shape tools, use the Smart Guides to position a new object’s anchor points relative to an existing object.

Or, when you create a new artboard, use Smart Guides to position it relative to another artboard or an object. Specify these angles in the Smart Guides preferences. When you move an object or artboard, use the Smart Guides to align the selected object or artboard to other objects or artboards. The alignment is based on the geometry of objects and artboards. Guides appear as the object approaches the edge or center point of other objects.

You can change when and how Smart Guides appear by setting Smart Guides preferences. Alignment Guides. Displays guide lines that are generated along the center and edges of geometric objects, artboard, and bleeds. They are generated when you move objects and when you perform operations such as drawing basic shapes, using the Pen tool, and transforming objects. Measurement Labels. Displays information for many tools such as Drawing tools and Text tools about the position of the cursor as you position the cursor over an anchor point.

When you press Shift with a drawing tool selected, the starting location appears. Object Highlighting. Highlights the object below the pointer as you drag around it. Transform Tools. Construction Guides. Displays guidelines as you draw new objects. You specify the angles at which you want guidelines drawn from the anchor points of a nearby object.

You can set up to six angles. The preview reflects your settings. Snapping Tolerance. Specifies the number of points the pointer must be from another object for Smart Guides to take effect. Use the Measure tool to calculate the distance between any two points and display the results in the Info panel.

Select the Measure tool. Select and hold the Eyedropper tool to see it in the Tools panel. Click the first point and drag to the second point. The Info panel displays the horizontal and vertical distances from the x and y axes, the absolute horizontal and vertical distances, the total distances, and the angle measured.

 

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